Look up Indian in Wiktionary, the free dictionary.

Indian may refer to:

On the Indian subcontinent:

• Indian cuisine
• Indian people
• A person belonging to one of the ethnic groups of India or South Asian ethnic groups (see Demographics of India)
• Languages of India
• Non-resident Indian and Person of Indian Origin
• Indian (airline), a now defunct state-owned airline of India, also formerly known as Indian Airlines

In the Americas:

• Indigenous peoples of the Americas
  • First Nations of Canada
  • Native Americans in the United States
  • West Indians, associated with the Caribbean
• Indigenous languages of the Americas
• Mardi Gras Indians

In the arts[link]

• Indian (1996 film), a Tamil film
• Indian (2001 film), a Hindi film
• "Indian" (song), by Sturm und Drang
• Indian (soundtrack), a soundtrack album from the 1996 film
• "Indians" (song), by Anthrax on the album Among the Living
• Indians (play)
• Indian soap opera

Geography[link]

• Indian River (disambiguation), several rivers and communities
• The Indians, British Virgin Islands islets group

Sports teams[link]

Baseball

• Cleveland Indians, in the Major Leagues
• Indianapolis Indians, in the minor leagues
• Indios de Mayagüez, in Puerto Rico

Cricket

• Mumbai Indians, in the Indian Premier League

Hockey

• Indians, Frölunda HC in Swedish hockey
• Springfield Indians, of Springfield, Massachusetts,an original American Hockey League team

Other uses[link]

• Indian Head cent
• Indian (card game)
• Indus (constellation), The Indian
• Indian (motorcycle), US manufacturing company

See also[link]

• India (disambiguation)
• Indica (disambiguation)
• Indicus (disambiguation)
• Indicum (disambiguation)

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Three singers-a trio-singing a song while accompanied on a lute played by one of the singers. Das Konzert [The Concert] (c. 1490, Lorenzo Costa).

In music, a song is a composition for voice or voices, performed by singing. A song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs. The lyrics (words) of songs are typically of a poetic, rhyming nature, though they may be religious verses or free prose.

A song may be for a solo singer, a duet, trio, or larger ensemble involving more voices. Songs with more than one voice to a part are considered choral works. Songs can be broadly divided into many different forms, depending on the criteria used. One division is between "art songs", "pop songs", and "folk songs". Other common methods of classification are by purpose (sacred vs secular), by style (dance, ballad, Lied, etc.), or by time of origin (Renaissance, Contemporary, etc.).

A song is a piece of music for accompanied or unaccompanied voice or voices or, "the act or art of singing," but the term is generally not used for large vocal forms including opera and oratorio.^[1] However, the term is, "often found in various figurative and transferred sense (e.g. for the lyrical second subject of a sonata...)."^[1] The noun "song" has the same etymological root as the verb "to sing" and the Oxford English Dictionary (OED) defines the word to mean "that which is sung" or "a musical composition suggestive of song." The OED also defines the word to mean "a poem" or "the musical phrases uttered by some birds, whales, and insects, typically forming a recognizable and repeated sequence and used chiefly for territorial defence or for attracting mates." ^[2]

Cultural types[link]

Art songs[link]

Art songs are songs created for performance in their own right, usually with piano accompaniment, although they can also have other types of accompaniment such as an orchestra or string quartet, and are always notated. Generally they have an identified author and composer and require voice training for acceptable performance. German-speaking communities use the term art song ("Kunstlied") to distinguish so-called "serious" compositions from folk song ("Volkslied"). The lyrics are often written by a poet or lyricist and the music separately by a composer. Art songs may be more formally complicated than popular or folk songs, though many early Lieder by the likes of Franz Schubert are in simple strophic form. They are often important to national identity.

Art songs feature in many European cultures, including but not limited to: Russian (romancy), German (Lieder), Italian (canzoni), French (mélodies), Scandinavian (sånger), Portuguese (canções), Spanish (canciones). There are also highly regarded British and American art songs in the English language. Cultures outside of Europe that have a classical music tradition, such as India, may or may not feature art songs. The accompaniment of European art songs is considered as an important part of the composition.

The art song of the period in which they originally flowered is often a duet in which the vocalist and accompanist share in interpretive importance. The pieces were most often written to be performed in a home or salon setting, although today the works enjoy popularity as concert pieces. The emergence of poetry during this era was much of what inspired the creation of these pieces by Brahms, Schumann, Schubert and other composers. These composers set poems in their native language. Many works were inspired by Johann Wolfgang von Goethe and Heinrich Heine. Another method would be to write new music for each stanza to create a unique form; this was through-composed form known in German as durchkomponiert. A combination of both of these techniques in a single setting was called a modified strophic form. Often romantic art songs sharing similar elements were grouped as a song cycle.^[3]

Folk songs[link]

Folk songs are songs of often anonymous origin (or are public domain) that are transmitted orally. They are frequently a major aspect of national or cultural identity. Art songs often approach the status of folk songs when people forget who the author was. Folk songs are also frequently transmitted non-orally (that is, as sheet music), especially in the modern era. Folk songs exist in almost every culture.

Popular songs[link]

Modern popular songs are typically distributed as recordings and are played on the radio, though all other mass media that have audio capabilities are involved. Their relative popularity is inferred from commercially significant sales of recordings, ratings of stations and networks that play them, and ticket sales for concerts by the recording artists. A popular song can become a modern folk song when members of the public who learn to sing it from the recorded version teach their version to others. Popular songs may be called pop songs for short, although pop songs or pop music may instead be considered a more commercially popular genre of popular music as a whole.

See also[link]

Wikiquote has a collection of quotations related to: Song

• Air (music)
• Animal song: bird song, whale song, zoomusicology
• Aria
• Ballad
• Canticle
• Category:Musical forms
• Hymn
• Instrumental
• Lied
• Madrigal (music)
• Song structure (popular music)
• Vocal music
• Theme song
• Poem and song
• Singing

References[link]

Further reading[link]

• Marcello Sorce Keller (1984), "The Problem of Classification in Folksong Research: a Short History", Folklore, XCV, no. 1, 100- 104.

Akshay Kumar
Akshay Kumar in 2009
Born	Rajiv Hari Om Bhatia (1967-09-09) 9 September 1967 (age 44) Amritsar, Punjab, India
Occupation	actor, producer, presenter
Years active	1991–present
Spouse	Twinkle Khanna (2001–present)

Akshay Kumar (born Rajiv Hari Om Bhatia^[1] on 9 September 1967^[1]) is an Indian film actor, producer, comedian and martial artist who has appeared in over a hundred Hindi films. He has nominated for Filmfare Award several times and won two times. When he began his acting career in the 1990s, he primarily starred in action films and was particularly known for his appearances in feature films commonly called the "Khiladi series", which included Khiladi (1992), Main Khiladi Tu Anari (1994), Sabse Bada Khiladi (1995), Khiladiyon Ka Khiladi (1996), Mr. and Mrs. Khiladi (1997), International Khiladi (1999), and Khiladi 420 (2000), as well as other action films such as Waqt Hamara Hai (1993), Mohra (1994), Elaan (1994) and Suhaag (1994).^[2]

Later he also gained fame for his drama, romance and comic roles.^[3] He started becoming known for his performances in romance films like Yeh Dillagi (1994) and Dhadkan (2000) as well as drama films such as Ek Rishtaa (2001). His comic performances in comedy films such as Hera Pheri (2000), Mujhse Shaadi Karogi (2004), and Garam Masala (2005) met with acclaim. His success further rose in 2007, when he starred in four consecutive commercial hits. He has thus established himself as one of the leading actors in Hindi cinema.

Apart from acting, Kumar worked as a stunt actor; he often performed many dangerous stunts in his films,^[4] which earned him a reputation as the "Indian Jackie Chan".^[2] 2008 marked his television debut as the host of the show Fear Factor – Khatron Ke Khiladi. In 2009, Kumar founded the Hari Om Entertainment production company.^[5] In 2008, the University of Windsor conferred an Honorary Doctorate of Law on Kumar in recognition of his contribution to Indian cinema. The following year he was awarded the Padma Shri by the Government of India. In 2011 Asian Film Awards honored Kumar for his outstanding achievement in Cinema.^[3]

Early life[link]

Akshay Kumar was born in Amritsar, Punjab.^[1] His father was an army officer. His mother's name is Aruna Bhatia. From a very young age, he was recognised as a performer, particularly as a dancer. Kumar was raised in Delhi's Chandni Chowk neighbourhood before moving to Mumbai.^[6] In Mumbai, he lived in Koliwada, which was another Punjabi dominated area.^[6] He studied at Don Bosco School and then Guru Nanak Khalsa College (King's Circle), where he participated in sports with Janpal Singh.^[6]

After having obtained a black belt in Taekwondo while in India,^[7] he studied martial arts in Bangkok, Thailand,^[6] where he learned Muay Thai^[7] and worked as a chef^[6] and waiter.^[7] He then came back to Mumbai, where he started teaching martial arts. One of his students happened to be a photographer and recommended him to do modelling. The student gave him a modelling assignment for a small company. For his two hours posing in front of the camera, Kumar got Rs. 5,000, compared to his previous monthly salary of Rs. 4,000. That was one of the main reasons why he chose to be a model. After a couple of months of modelling, Kumar was offered a lead role by producer Pramod Chakravarthy for the movie Deedar.^[6]

Career[link]

1990s[link]

Kumar made his Bollywood acting debut with the 1991 film Saugandh, which was followed by the 1992 thriller film Khiladi. In 1994, his action films Main Khiladi Tu Anari and Mohra were among the highest grossing films of the year.^[8] Later that year, Yash Chopra signed him for the romantic film Yeh Dillagi which was also a success.^[8] He received appreciation for his performance in this film, where he played a romantic role which was different compared to his action roles. He would consequently receive his first nominations for Best Actor award at the Filmfare and Star Screen ceremonies. During the same year, Kumar also had success with films like Suhaag and the low budget action film Elaan. All these achievements, promoted Kumar as one of the most successful actors of the year.^[9]

In 1995, along with his share of unsuccessful movies, he starred in the third film in his Khiladi series Sabse Bada Khiladi, which was a hit.^[10] He proved to have success with the Khiladi series, as in the next year he starred in the fourth successful film with Khiladi in the title, Khiladiyon Ka Khiladi opposite Rekha and Raveena Tandon. The film became one of the highest grossing films of the year.^[11]

In 1997, Kumar was seen in a supporting role in Yash Chopra's hit film Dil To Pagal Hai, co-starring Shahrukh Khan, Madhuri Dixit and Karisma Kapoor, for which he received a Filmfare Best Supporting Actor Award nomination. In the same year, he attempted a comedy role with the fifth film in the Khiladi series, Mr and Mrs Khiladi. Unlike his previous films with Khiladi in the title, the film failed commercially.^[12] In the same way as this film, his next Khiladi releases in the following years went on to fail at the box office. In 1999, Kumar received critical acclaim for his roles in the films Sangharsh and Jaanwar. Whilst the former did not make a profit at the box office, the latter turned out to be a success.^[13]

2000s[link]

Kumar on the sets of Heyy Babyy

In 2000, he starred in the comedy Hera Pheri (2000) which was a commercial success.^[14] He also starred in the romantic film Dhadkan later that same year which performed moderately at the box office.^[14] That same year, he performed some of his most dangerous stunts in Khiladi 420, where he climbed a running plane, stood on top of the plane flying a thousand feet in the air, and jumped from the plane onto a hot air balloon.^[4] In a later scene, he is also seen being chased by a car, dodging bullets, jumping off buildings, and climbing walls.^[15] In 2001, Kumar played a negative role in the film Ajnabee. The film won him much acclaim as well as his first Filmfare Award for Best Villain.^[1] Kumar played a role as role as a blind man in Aankhen.

Following Hera Pheri, Kumar starred in a number of comedy films, including Awara Paagal Deewana (2002) and Mujhse Shaadi Karogi (2004).^[16] and Garam Masala (2005). The films succeeded at the box office^[17][18] and his performance in the latter earned him his second Filmfare Award, for Best Comedian.^[1] Apart from his action, comedy and romantic roles, Kumar displayed a flair for dramatic roles in films such as Ek Rishtaa (2001), Aankhen (2002), Bewafaa (2005) and Waqt: The Race Against Time (2005).^[1] n

In 2004 he starred in Rajkumar Santoshi's Khakee alongside Amitabh Bachchan, Ajay Devgn and Aishwarya Rai. In 2006 he starred in a sequel to Hera Pheri titled Phir Hera Pheri. As was the former, the sequel became a huge success at the box office.^[19] Later that year he starred alongside Salman Khan in the romantic musical Jaan-E-Mann. The film was a well anticipated release, and despite receiving positive reviews from critics, did not do as well as expected at the box office.^[19] Though the film under-performed, his role as a shy, lovable nerd was praised.^[20] He ended the year with the comedy Bhagam Bhag, which was a success.^[19] In that same year, he led the Heat 2006 world tour along with fellow stars Saif Ali Khan, Preity Zinta, Sushmita Sen and Celina Jaitley.^[21]

2007 proved to be Kumar's most successful year during his career in the industry, and as described by box office analysts, "probably the best ever recorded by an actor, with four outright hits and no flops."^[22] His first release, Namastey London, was critically and commercially successful, and his performance earned him a Best Actor nomination at the Filmfare. Critic Taran Adarsh wrote of his performance in the film, "he's sure to win the hearts of millions of moviegoers with a terrific portrayal in this film."^[23] His next two releases, Heyy Babyy and Bhool Bhulaiyaa, were box office successes as well.^[24][25] Kumar's last release of the year, Welcome, did extremely well at the box office, receiving a blockbuster status and simultaneously becoming his fifth successive hit.^[26] All of Kumar's films which released that year did well in the overseas market as well.^[27]

Kumar's first film of 2008, Tashan, marked his comeback to the Yash Raj Films banner after 11 years. Although much anticipated by the public,^[28] the film was a critical and commercial failure. His second film, Singh Is Kinng was a huge success at the box office and broke the first-week worldwide record of Om Shanti Om, the previous highest figure.^[29] His next film was the animated film Jumbo. The year also saw Kumar making his small screen debut as the host of the successful show Fear Factor – Khatron Ke Khiladi. He later returned to host the show's second season in 2009.

In 2009, Kumar featured opposite Deepika Padukone in the Warner Bros.-Rohan Sippy production Chandni Chowk to China. Directed by Nikhil Advani, the film was a critical and commercial failure at the box office.^[30] Kumar's next release was 8 x 10 Tasveer. Directed by Nagesh Kukunoor, the film was a critical and commercial failure. His next release was Kambakkht Ishq. Kumar's film Blue was released on 16 October 2009. Blue collected about Rs. 42 crores at the box-office.^[31] His last release in 2009 was Priyadarshan's De Dana Dan.

2010s[link]

Akshay Kumar, Sonakshi Sinha and Prabhudeva at the first look launch of the movie 'Rowdy Rathore'.

He then appeared in the 2010 comedy, Housefull, directed by Sajid Khan which garnered the second-highest opening weekend collection of all time.^[32] Kumar's next release was Khatta Meetha, directed by Priyadarshan which was an average grosser. He also appeared in Vipul Shah's Action Replayy, which was a box office failure.^[33] His last film of 2010 was Tees Maar Khan. In 2011 he starred in Patiala House and Thank You.

He also co-produced a film with Russell Peters titled Breakaway (dubbed into Hindi as Speedy Singhs) which is reminiscent of his own Patiala House.^[34] Breakaway has become the highest-grossing English movie in Canadian history.^[35] Akshay Kumar, recently dubbed for the Hindi version of Hollywood, action blockbuster, Transformers: Dark of the Moon. Akshay dubbed for the role of 'Optimus Prime', which is one of the key characters in the film. He took the dubbing role for his son, Aarav, and did so for free.^[36]

His latest film is Rohit Dhawan's Desi Boyz (2011), which co-starred John Abraham, Chitrangada Singh and Deepika Padukone. His first release of 2012 was Housefull 2 which is a sequel to his 2010 successful film Housefull. The film received mixed reviews from critics and was declared Super Hit collecting 181.25 crore (US$36.16 million) at Box Office in 5 weeks. It was also a huge hit in overseas and the biggest Bollywood grosser in New Zealand. Akshay's Rowdy Rathore released on Ist June 2012.^[37] It marks the returns of him in action genre after 7 years.

Personal life[link]

Kumar earlier dated several of his colleagues, such as Shilpa Shetty and Raveena Tandon. After being engaged twice to actress Twinkle Khanna, the daughter of actors Rajesh Khanna and Dimple Kapadia, he married her on 17 January 2001. Their son named Aarav was born in September 2002.^[1] He stays in shape with a combination of kickboxing, basketball, swimming and other sports, as well as working out at the gym. In the year 2004, he was honoured with the Rajiv Gandhi Award for his outstanding achievements in Bollywood. In 2008 the University of Windsor in Ontario, Canada awarded him with Honorary Doctrate of Law for his outstanding work in the film industry and contribution to social work. The same year he was named the "Sexiest Man Alive" by People (India) magazine. The following year he was awarded the highest Japanese honour of "Katana" and a sixth degree Black Belt in Kuyukai Gojuryu Karate. He was one of the 15 international celebrities invited for the Olympics torch-bearer rally to Canada.^[38]

Awards and honors[link]

Filmography[link]

Actor[link]

Television appearances[link]

See also[link]

• List of Indian Actors

References[link]

External links[link]

• Akshay Kumar at the Internet Movie Database

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2009)

Ranbirraj "Raj" Kapoor (Hindi: राज कपूर, Punjabi: ਰਾਜ ਕਪੂਰ, Rāj Kapūr, 14 December 1924 – 2 June 1988), also known as The Show-Man, was an Indian film actor, producer and director of Hindi cinema.^[1] He was the winner of nine Filmfare Awards in India, and a two-time nominee for the Palme d'Or grand prize at the Cannes Film Festival for his films Awaara (1951) and Boot Polish (1954). His performance in Awaara was ranked as one of the top ten greatest performances of all time by Time magazine.^[2] His films were commercial successes that attracted worldwide audiences, particularly in Asia and Europe. The Government of India honoured him with the Padma Bhushan in 1971 and the Dadasaheb Phalke Award in 1987 for his contributions towards Indian cinema.

Early life and Background[link]

Raj Kapoor was born in Peshawar, British India (present day Pakistan), to a Khatri family of kapoor's and Ramsarni (Rama) Devi Kapoor (née Mehra). He was the eldest of six children in the family.^[3][4][5] He was the grandson of Dewan Basheshwarnath Kapoor and great-grandson of Dewan Keshavmal Kapoor, part of the famous Kapoor family. Two of Raj's brothers are actors Shashi Kapoor (a.k.a. Balbir Raj Kapoor) and the late Shammi Kapoor (aka Shamsher Raj Kapoor); the other two died in infancy. He also had a sister named Urmila Sial.

Raj Kapoor attended Colonel Brown Cambridge School, Dehradun in the 1930s.

Career[link]

At the age of eleven, he appeared in films for the first time, in the 1935 film Inquilab. After acting in several other films the next 12 years, Raj Kapoor's big break came with the lead role in Neel Kamal (1947) opposite Madhubala in her first role as a leading lady. In 1948, at the age of twenty-four, he established his own studio, R. K. Films, and became the youngest film director of his time making his directorial debut with the film Aag. Aag marked the first of many films in which he and Nargis appeared together. In 1949 he co-starred alongside Dilip Kumar in Mehboob Khan's blockbuster Andaz which was his first major success as an actor.

He went on to produce, direct and star in many box office hits such as Barsaat (1949), Awaara (1951), Shree 420 (1955), Chori Chori (1956), Jagte Raho (1956) and Jis Desh Men Ganga Behti Hai (1960). These films established his screen image as The Tramp modelled on Charlie Chaplin's most famous screen persona. In 1964 he produced, directed and starred in Sangam which was his first film in colour. This was his last major success as a leading actor. Outside of his home productions his other notable films were Anari (1959), Chhalia (1960) and Teesri Kasam (1963). He produced, directed and starred in his ambitious film, Mera Naam Joker which took more than six years to complete. When released in 1970, it was a box office disaster.

In 1971 he launched his eldest son Randhir Kapoor in Randhir's acting and directorial debut Kal Aaj Aur Kal which also starred Raj's father Prithviraj Kapoor as well as Randhir's would-be-wife Babita. He launched his second son Rishi Kapoor's career when he produced and directed Bobby (1973) which was not only a huge box office success but also introduced actress Dimple Kapadia, later a very popular actress, and was the first of a new generation of teen romances. Dimple wore bikinis in the film which was quite unique for Indian films then.

In the latter half of the 1970s and early 1980s he produced and directed films which focused on the female protagonists: Satyam Shivam Sundaram (1978) with Zeenat Aman, Prem Rog (1982) with Padmini Kolhapure and Ram Teri Ganga Maili (1985) which introduced Mandakini. He acted in fewer films by the late 1970s and early 1980s and focused on producing and directing films. He starred alongside Rajesh Khanna in Naukri (1979) and played the title role alongside Sanjay Khan in Abdullah (1980).

Raj Kapoor's last major film appearance was in Vakil Babu (1982) wherein he appeared with his younger brother Shashi. His last acting role was a cameo appearance in a 1984 released British made-for-television film titled Kim.

Death[link]

Raj Kapoor suffered from asthma in his later years; he died of complications related to asthma in 1988 at the age of 63. At the time of his death, he was working on the movie Heena (an Indo-Pakistan based love story). The film was later completed by his sons Randhir and Rishi Kapoor, and narrated by his brother Shammi Kapoor. The movie was released in 1991 and became a huge success at the Box Office. When he was being conferred upon the Dadasaheb Phalke Award, where his brother Shashi Kapoor was also present, the crowd was clapping around when President Venkataraman, who saw Kapoor's discomfort, came down the stage to give the award to the legend in the middle of thundering claps where he was breathing his last breath. And suddenly Kapoor collapsed, and was rushed to the All India Institute of Medical Sciences for treatment. The country's top cardiologists tried their best, but could not save him.^[6]

Legacy[link]

Raj Kapoor is appreciated both by film critics and ordinary film fans. Film historians and movie buffs speak of him as the "Charlie Chaplin of Indian cinema," since he often portrayed a tramp-like figure, who, despite adversity, was still cheerful and honest. His fame spread worldwide. He was adored by audiences in large parts of Africa, the Middle East, the former Soviet Union, China, and Southeast Asia; his movies were global commercial successes. Raj had the knack of getting the best out of any one, since he had mastered all departments of film making and even marketing them.^{[peacock term]} When Pandit Jawaharlal Nehru died in 1964 coinciding with release of Sangam, he took the opportunity to create a scene when Gopal ashes were immersed in Ganges, like Pandit Nehru described in his poetic will. His films reflected the Era in which it was made.

He had a great understanding of the public taste and a great sense of Box-Office. He was one of the pioneers of the Indian cinema, who talked about the potential of Hindi cinema emerging as a great revenue earner from the world market in fifties, which has become a reality today.^[7]

Many of Raj Kapoor's movies had a patriotic theme. His films Aag, Shree 420 and Jis Desh Men Ganga Behti Hai (In the country where the Ganges flows) celebrated the newly independent India, and encouraged film-goers to be patriots. Raj Kapoor commissioned these famous lyrics for Mera Joota Hai Japani, a song from the movie Shree 420:

Mera joota hai Japani (My shoes are Japanese)

Ye patloon Inglistani (These trousers are English)

Sar pe lal topi Roosi (The red cap on my head is Russian)

Phir bhi dil hai Hindustani (But still, however, my heart is Indian)

The song is still extremely popular and has been featured in a number of movies since Shree 420 was released. Indian author Mahasweta Devi stopped the show with her inaugural speech at the 2006 Frankfurt Book Fair when she used these lyrics to express her own heartfelt patriotism and debt to her country.

Raj Kapoor was a canny judge of filmi music and lyrics. Many of the songs he commissioned are evergreen hits. He introduced the music directors Shankar-Jaikishan and the lyricists Hasrat Jaipuri and Shailendra. He is also remembered for his strong sense of visual style. He used striking visual compositions, elaborate sets, and dramatic lighting to complete the mood set by the music. He introduced the actresses Nimmi, Dimple Kapadia, and Mandakini, as well as launching and reviving the careers of his sons Rishi, Randhir and Rajiv. He was also famous for making his actresses wear revealing clothing which was not very common in Indian cinema.

Personal life[link]

The Kapoor family lived in Peshawar and were khatris but they were also landowners in the canal colony of Lyallpur, British India, which is now called Faisalabad in the Punjab province of present-day Pakistan where the family lived for a while. He was married to Krishna Kapoor, sister of actors, Rajendra Nath and Prem Nath.^[8][9]

Kapoor is also known to have had a longtime romantic relationship with the renowned actress Nargis during the 1950s.^{[citation needed]} The couple starred in several films together, including Awaara and Shree 420.

Three of Kapoor's grandchildren are currently stars in the Bollywood film industry. His granddaughters are Karisma Kapoor and Kareena Kapoor, the daughters of Raj's son Randhir Kapoor and his wife Babita. His grandson Ranbir Kapoor is son of Rishi Kapoor and his wife Neetu Singh.

Awards[link]

Kapoor had received many awards throughout his career, including 9 Filmfare Awards and 19 nominations. His films Awaara (1951) and Boot Polish (1954) were nominated for the Palme d'Or at the Cannes Film Festival. His acting in the former was rated as one of the "Top-Ten Performances of all time", by the Time Magazine.^[2] His film Jagte Raho (1956) also won the Crystal Globe award at the Karlovy Vary International Film Festival.

The Government of India honoured him with the Padma Bhushan in 1971 and the Dadasaheb Phalke Award in 1987 – the highest award for cinematic excellence in India. In 2001, he was honoured with “Best Director of the Millennium” by Stardust Awards. He was named “Showman of the Millennium” by Star Screen Awards in 2002.

In June 2011, Noah Cowan, Artistic Director of TIFF Bell Lightbox, and Sabbas Joseph, Director, Wizcraft along with members of the Kapoor family came together to pay tribute to the life and work of Indian actor, director, mogul and legend Raj Kapoor, as presented in partnership by TIFF (Toronto International Film Festival), the International Indian Film Academy (IIFA), and the Government of Ontario.Indian Mirror Reports suggest Kapoor will be inducted onto the Brampton Walk of Fame in Ontario, Canada.^[10]

Association with other artists[link]

Shankar-Jaikishan[link]

Shankar-Jaikishan were his music director of choice. He worked with them in 20 films in all including 10 of his own films from Barsaat until Kal Aaj Aur Kal. (Jagte Raho with Salil Chowdhury and Ab Dilli Dur Nahin being two exceptions in this period). Only after Jaikishan died, did he turn to a different music director – Laxmikant-Pyarelal for Bobby, Satyam Shivam Sundaram, and Prem Rog (later on his children used Laxmikant-Pyarelal for Prem Granth also) and Ravindra Jain for (Ram Teri Ganga Maili and Henna). It is interesting to note that Raj Kapoor acted in a movie with music by Madan Mohan only once i.e. Dhoon (1953) which featured duet Hum pyar karenge by Hemant Kumar and Lata Mangeshkar, only instance Hemnat Kumar giving playback to Raj Kapoor, and did only one movie with O. P. Nayyar (Do Ustad).

List of films with Shankar-Jaikishan: (18 Films)

Nargis[link]

• Raj Kapoor and Nargis worked together in 16 films including 6 of his own productions.

Mukesh and Manna Dey[link]

Mukesh was Raj Kapoor's almost exclusive singing voice in almost all of his films. Also, when Mukesh died, Raj had said, Main ne apni aawaaz ko kho diya... (I have lost my voice...). However Manna Dey has also sung many notable and super-hit songs for Raj Kapoor, for instance in Shree 420 and Chori Chori. Examples of such Manna songs are best illustrated by the following list:

• "Laga Chunri Mein Daag" (Dil Hi To Hai)
• "Pyar Hua Iqrar Hua" (Shree 420)
• "Ae Bhai Zara Dekh Ke Chalo" (Mera Naam Joker)
• "Dil Ka Haal Sune Dil Wala" (Shree 420)
• "Aaja Sanam Madhur Chandni Mein Hum" (Chori Chori)
• "Jahan Mein Jati Hoon Wahin Chale Aate Ho" (Chori Chori)
• "Yeh Raat Bhigi Bhigi, Yeh Mast Fizayen" (Chori Chori)
• "Masti Bhara Hai Samaan" (Parvarish)
• "Mur Mur Ke Na Dekh" (Shree 420)
• "Chalat Musafir" (Teesri Kasam)
• "Belia Belia Belia" (Parvarish)
• "Lallah Allah Tera Nigehbaan" (Abdullah)
• "Mama O Mama" (Parvarish)

Filmography[link]

Further reading[link]

• The Kapoors: the first family of Indian cinema, by Madhu Jain. Penguin, Viking, 2005. ISBN 0-670-05837-8.

References[link]

Notes[link]

• Rajadhyaksha, Ashish; Willemen, Paul. Encyclopedia of Indian Cinema. London: British Film Institute; New Delhi: Oxford University Press, 1994
• Kishore, Valicha. The Moving Image. Hyderabad: Orient Longman, 1988

External links[link]

• Raj Kapoor at the Internet Movie Database
• 12 Indians who are famous in Russia